Charakteristika
Charakteristika
The first wave of punk rock aimed to be aggressively modern, distancing itself from the bombast and sentimentality of early 1970s rock. [ 2 ] According to Ramones drummer Tommy Ramone , "In its initial form, a lot of [1960s] stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll." [ 3 ] John Holmstrom , founding editor of Punk magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music." [ 4 ] In critic Robert Christgau 's description, "It was also a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth." [ 5 ] Patti Smith , in contrast, suggests in the documentary 25 Years of Punk that the hippies and the punk rockers were linked by a common anti-establishment mentality. V prvej vlne punk rock, ktorých cieľom je byť agresívne moderné, dištancujú od samotného bombast a sentimentality predčasného rock 1970. [2] Podľa Ramones bubeník Tommy Ramone, "Vo svojej pôvodnej podobe, hodně [1960s] tak bola inovačná a vzrušujúce. Bohužiaľ, čo sa stane, je, že ľudia, ktorí nemohli držať sviečku na schválenie Hendrix začal noodling preč. Čoskoro ste mali nekonečné sóla, ktoré bolo márne. Do roku 1973, vedel som, že to, čo bolo potrebné bolo nejaké čisté, ocesaný, no kecy rock 'n' roll. "[3] John Holmstrom, zakladajúcim redaktorom Punk časopisu pripomína pocit" punk rock musela ísť, pretože rocková scéna stala tak krotce, že [činy], ako Billy Joel a Simon and Garfunkel, boli nazýva rock and roll, keď so mnou a ostatnými fanúšikmi, rock and roll znamenal toto divoké a zpurný hudby. "[4] V kritik Robert Christgau 's popisom:" To bol aj subkultúry, že pohrdavě odmietol politický idealizmus a Kaliforňanka kvet -- moc zpozdilost z hippie mýtus. "[5], Patti Smith, v kontraste, navrhuje v dokumentárnom 25 rokov Punk že hippies a punk rockers boli prepojené spoločnou Anti-zriadení mentality.
Throughout punk rock history, technical accessibility and a DIY spirit have been prized. Punk rock v celej histórii, technickej dostupnosti a DIY duchu boli ocenený. In the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. [ 6 ] Musical virtuosity was often looked on with suspicion. V začiatkoch punk rock, tento etický stál v priamom kontraste s tým, čo ty na scéne považovaný za ostentativní hudobné efekty a technologické požiadavky mnohých tradičných rockových kapiel. [6] Hudobné virtuozita bolo často vypadalo s podozrením. According to Holmstrom, punk rock was "rock and roll by people who didn't have very much skills as musicians but still felt the need to express themselves through music". [ 4 ] In December 1976, the English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band." [ 7 ] The title of a 1980 single by New York punk band The Stimulators , "Loud Fast Rules!", inscribed a catchphrase for punk's basic musical approach. [ 8 ] Podľa Holmstrom, punk rock bola "rock and roll, ktoré ľuďom, ktorí nemajú moc zručnosti ako muzikanti, ale stále cítil potrebu vyjadriť sa prostredníctvom hudby". [4] V decembri 1976, v anglickom fanzine licousy uverejnila hneď -- slávnu ilustráciu tri akordy, captioned "To je akord, to je iné, to je tretina. Teraz tvoria kapelu." [7] Názov a 1980 podľa jednotného New York punková kapela K Stimulátory "Loud Rýchle Rules! "vpísaného jeden chytlavým punk pre základné hudobné prístup [8].
Some of British punk rock's leading figures made a show of rejecting not only contemporary mainstream rock and the broader culture it was associated with, but their own most celebrated predecessors: "No Elvis , Beatles or the Rolling Stones in 1977", declared The Clash song "1977". [ 9 ] The previous year, when the punk rock revolution began in Great Britain, was to be both a musical and a cultural "Year Zero". [ 10 ] Even as nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future"; [ 2 ] in the later words of one observer, amid the unemployment and social unrest in 1977, "punk's nihilistic swagger was the most thrilling thing in England." [ 11 ] While "self-imposed alienation " was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" [ 12 ] of bands such as Crass , who found positive, liberating meaning in the movement. Niektoré z British punk rock je predné osobnosti udělal show zmietnutí nielen súčasných bežných rock a širšie kultúra bola spojená s, ale svoju vlastnú väčšinu oslávil predchodcovia: "No Elvis, Beatles alebo Rolling Stones v roku 1977", vyhlásil The Clash pieseň "1977" [9]. minulom roku, kedy punk rock revolúcia vo Veľkej Británii, mal byť aj hudobné a kultúrne "Year Zero". [10] I ako nostalgie bola odmietnutá, a mnohí v scéna prijala nihilistický pozícia zhrnul do Sex Pistols slogan "No Future", [2] v neskoršom slová jedného pozorovateľa, uprostred v nezamestnanosti a sociálnych nepokojov v roku 1977, "punk je nihilistický snahu bolo najviac vzrušujúca vec v Anglicku." [11] Zatiaľ čo "samo-uložených odcudzenie" bola jednotná medzi "opilý pankac" a "bulvární pankac", existuje vždy napätie medzi ich nihilistický perspektívu a "radikálne ľavicového utopianism" [12] kapiel ako hlúpy, kto našiel pozitívne, oslobodzujúce zmysle, v pohybe. As a Clash associate describes singer Joe Strummer 's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do." [ 13 ] Ako Clash pridruženému opisuje spevák Joe Strummer 's výhľadmi, "Punk rock je určený pre našu slobodu. Sme znamenalo byť schopní robiť, čo chceme robiť." [13]
